#: locale=en-GB ## Tour ### Beschreibung tour.description = 11_Bindlach_St-Bartolomaeus ### Titel tour.name = 11_Bindlach_St-Bartolomaeus ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
The parish church of St Bartholomew,
Bindlach
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By F. P. Schuh in the form of a vase; its lid symbolises the 'Fountain of life'.
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The 'Lamb of God' with the symbols of faith (wafers and chalice), hope (anchor) and love (kissing angels).
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On the ceiling, walls and undersides of the galleries, by R. Albini and M. Krätzer amongst others (1768), with stuccoed frames around the pictures, decorative elements and symbols of faith, ie of the evangelical-lutheran confession.
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Festive baroque organ case by A. Neuhäuser and F. P. Schuh (1780).
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The 'Old Covenant' of God with Israel: the tablets of the Ten Commandments, a sacrificial altar, a thurible, a rainbow (story of the Flood), the twelve tribes and the 'bronze serpent'.
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A bishop's mitre and crozier are shown with the bible ('BIBLIA SACRA'). For the evangelical church teaching lies in Holy Scripture, which is of itself clear and comprehensible (symbolised by burning candles).
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By A. Neuhäuser and F. P. Schuh, and designed by J. G. Riedel (1777); in the centre of the pulpit body is Christ as Saviour; to either side St Peter and St Paul; on the pulpit roof the initial 'A' for Margrave Alexander; upon the ledge: the four Evangelists; and crowning it all: the Transfiguration of Christ.
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By the court painter W. E. Wunder; in the centre Christ's Ascension (with emphasis here on the horizontal, so that Jesus Christ is standing closer to the disciples); around the outside are grisaille paintings of the four Evangelists.
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Three richly decorated baroque doorways lead to the interior of the church, which also bore the name of 'Trinity Church'. Taken as a whole, the decorative scheme is extremely elaborate for a margrave church. (Design: J. G. Räntz).
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Three richly decorated baroque doorways lead to the interior of the church, which also bore the name of 'Trinity Church'. Taken as a whole, the decorative scheme is extremely elaborate for a margrave church. (Design: J. G. Räntz).
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Three richly decorated baroque doorways lead to the interior of the church, which also bore the name of 'Trinity Church'. Taken as a whole, the decorative scheme is extremely elaborate for a margrave church. (Design: J. G. Räntz).
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