#: locale=en-GB ## Tour ### Beschreibung tour.description = 33_Mistelbach_St-Bartolomaeus ### Titel tour.name = 33_Mistelbach_St-Bartolomaeus ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
The parish church of St. Bartholomäus,
Mistelbach
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For Father J. N. Geier (d 1724), to whom an angel from heaven is offering 'the crown of life'.
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On the back of the altar: the altar is described as the first to have been built in the reign of Margrave Georg Wilhelm (1712 – 26). Nearby are further inscriptions about the respective church restorations.
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Sandstone body, oil painting by E. Brendel: Jacob's dream of the ladder up to Heaven; Moses, Christ as Saviour, Melchisedek and the sacrifice of Isaac; Inscription on the pulpit stairs:'You shall speak whatever I command you.' Hourglass from 1749.
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On chancel arch by E. Brendel (1632); in the centre: Christ in Judgement sitting on a rainbow, with Moses and John the Baptist on either side; to the left: Ascension of Enoch; to the right : Ascension Of Elijah.
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With donor's inscription (1706) on the back; on the front: the Crucified One on the blossoming arms of a cross, from amongst which four rays of light shine out.
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Late Gothic (2nd half of 15C): Resurrection of Jesus, with three Gothic arches. In the chancel: St George's fight with the dragon, and an angel with a candlestick and the Mistelbach arms. In the nave: consecration crosses, coats of arms and biblical scenes.
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Early classical, in the form of a vase with flower decoration (sandstone); on the lid is a woodcarving of the baptism of Jesus which replaced an earlier baptismal angel.
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Dated1869, in baroque style; on the front: the Crucified One between three angels' heads;on the back: the triumphant Risen One between two angels' heads.
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By J. C. Fischer (1712), coloured by J. P. Langheinrich; in the predella: Last Supper, c 1700; in the centre of the altar: Crucifixion group, bordered by twisted pillars with vines, above which are the margravial arms with initials G(eorg) W(ilhelm) M(argrave) Z(u(of)) B(randenburg); in the altarpiece above: God the Father, flanked by Moses and John the Baptist; and right at the top the Risen One and two angels with instruments of the Passion.
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For Christoph von Mistelbach, the last of his line (d 1563).
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On the upper gallery by J. P. Langheinrich (1725): biblical scenes following set examples in baroque style, with picture captions above, some with donors' names.
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Carved by J. C. Fischer (1715); upon a stylised crown: Moses or a prophet, surrounded by angels with palm branches; the ones in front are clothed, the ones behind are naked.
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By J. P. Langheinrich (1725) following set examples; theological scheme by Master J. N. Geyer: biblical scenes with reference to preaching (e.g. the calling of the prophet Isaiah, with an inscription), baptism and communion as well as emblems to the praise of God.
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On the lower gallery by E. Brendel (1632); biblical scenes following set examples in late Renaissance style, with picture captions above.
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