#: locale=en-GB ## Tour ### Beschreibung tour.description = 34_Mistelgau_St-Bartholomaeus ### Titel tour.name = 34_Mistelgau_St-Bartholomaeus ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
The parish church of St. Bartholomäus,
Mistelgau
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In the nave, made by J. N. Feeg, painted by J. G. Schnürer (1735); paintings (reworked in 1824 and 1930): in the middle the Baptism of Jesus, in the four corners baroque symbolic representations, and in the tops of the vaults the Beatitudes.
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Above the chancel arch and dominating the church interior: symbolic representation of the Holy Trinity: the triangle in a halo of rays of light (like a wall of fire), in the centre the Eye of God and three tongues of fire; also scrolls with mottos to the honour and glory of God; stucco by J. N. Feeg, painted by J. G. Schnürer (1738).
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Probably by J. G. Brenck (1690/91) with three large angels' heads, whose bright wings extend over the arms of the cross.
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Oil paintings of biblical scenes by J. H. Schertel (1713/14), for the most part following drafts by J. J. von Sandrart; with biblical references and captions (e.g. 'The Cleansing of the Temple').
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From the period 1769 to 1870, now mounted on the outer door of the sacristy, bearing the names of those who rented a pew.
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In the chancel, made by M. Grasser (c 1736), painted by J. G. Schnürer (1743/44) with the elements of communion in a halo of rays of light.
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Made by the firm of Wieneck (1852; earlier organ has case by J. G. Brenck, 1701); inscribed with names of the organists from 1552 until today.
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For Sigmund von Wirsberg (d 1575) and his wife Cordula; with a crucifixion scene and the Trinity (coloured in 1931).
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By J. C. Fischer (1705); in the centre: a crucifixion group in between twisted pillars entwined with vines and splendid side wings full of flowers; above it are the margravial arms; higher up in the altarpiece: the Risen One between St Peter and St Paul; near the altar steps: communon rail with angels' heads (seraphs).
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By court sculptor J. D. Räntz (1735/36), with extravagant gable and margravial inscription crowned with princely hat.
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Made of Donndorf sandstone by J. G. Brenck, and painted by Ch. Herold (1686) with the typical angel's heads, fruit and flowers; lid renewed 1826/1905.
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By J. C. Fischer (1718); with an unusual pulpit base: Samson with the jaw of a donkey; on the pulpit staircase: figure of Ecclesia with a cross and three apostles; on the pulpit body: Christ as Saviour with the four Evangelists; the pulpit canopy is supported by two angels, and on it is a stylised crown, with the Risen One standing in a halo of rays of light upon a pillar of clouds with angels.
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Earlier than 1714, richly carved and brightly painted; with a chalice-shaped wreath of the leaves of a climbing plant: the Cross as the Tree of Life.
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