#: locale=en-GB ## Tour ### Beschreibung tour.description = 37 Neudrossenfeld Dreifaltigkeitskirche ### Titel tour.name = 37 Neudrossenfeld Dreifaltigkeitskirche ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
Trinity Church, Neudrossenfeld
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The pulpit altar was created around 1750 by combining various parts:
1. The late Gothic altar of St James (c 1500), with its altar wings, both standing figures on the outside (St James and St Bartholomew) and Madonna and King on the upper part of the altarpiece.
2. The baroque pulpit (c 1680) by J. Brenck (formerly free-standing); the four Evangelists on the pulpit body and the Transfiguration of Christ on the pulpit roof.
3. The angel musicians from the former Tretscher organ.
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Noble citizens sat behind a grille, screened off from 'ordinary people'.
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The 17C font stands directly in front of the pulpit altar, and has the typical shape of the period: an octagonal basin, decorated with angels' heads.
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The court stucco artist G. B. Pedrozzi created an outstanding work of art with this church ceiling. Golden rocaille frames surround the paintings, angels hold symbols of the Christian faith, and flowers and fruit delight the eye and give a foretaste of Paradise. Even the undersides of the galleries are stuccoed - a sign of the noble furnishing. The painting was done by the court painter Wunder.
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The three boxes opposite the pulpit altar belonged to noble families, of which the most exclusive was that of the Ellrodt family, owners of the nearby castle and sponsors of the rebuilding of the church. Rare painted leather wall coverings survive here.
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Noble citizens sat behind a grille, screened off from 'ordinary people'.
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By E. W. Wunder (1756), is of the Ascension of Christ and extends along the ceiling, and thus the expanse of Heaven with the angels and the Ascending Christ move into the centre. The grisaille pictures around the edge by the same artist portray the Christmas story, Baptism, Crucifixion and Resurrection of Christ.
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Prominently displayed above the altar are the insignia of Margrave Friedrich, particularly large and ornate here: the margravial coat-of-arms and the initial 'F'.
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