#: locale=en-GB ## Tour ### Beschreibung tour.description = 50_Toepen_St-Martin ### Titel tour.name = 50_Toepen_St-Martin ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
The parish church of St. Martin,
Töpen
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On the organ gallery (c 1715): musician angels; and a portion of the gallery front paintings, some of which were reversed during the repainting of the church throughout (1789).
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'Adoration of the Magi' (c 1715), originally a gallery painting; the painting on the reverse which matches the style of the whole church shows that the painting was built the other way around into the gallery front – like other gallery front paintings, which have now been encased to protect them from damage.
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Of the panelled ceiling, gallery fronts, altar and pews following a continuous theme (1789), with playful, delicate painted floral ornamentation; thereby creating a unique impression of space.
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On the Mäbber galleries, dating from when the church was built (1711/15); on the upper gallery wooden boxes or 'knights' seats ' (picture) – at any rate more comfortable than standing for hours for a service.
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By an unknown artist on front of the gallery for the nobility (contemporary with building of church): Coat of arms and five Old Testament scenes based on models in the Merian Bible; renewed and to some extent overpainted in 1940; now just this gallery – the Oertel one – remains of the four original galleries for the nobility.
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With late Gothic 'Man of Sorrows' (1st half 16C), from the previous church.
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With late Gothic 'Man of Sorrows' (c 1500), from the previous church or possibly even from the chapel here before 1500.
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Figures from the late Gothic previous altar (c 1500) were incorporated into the baroque pulpit altar (1711/15): these are Emperor Henry 2 and his wife Kunigunde as diocesan saints next to the pulpit body, and Mary and St John from a crucifixion group; the altar was painted with floral decoration in 1789, as was the entire church. Dating from when the church was built are angels with flowers, the dove of the Holy Spirit and a painting of St Mark the Evangelist on the pulpit body (which was uncovered later).
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Case by the court organ-builder G. Wiegleb (1769), organ by the firm of Steinmeyer, Oettingen (1906).
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And painted numbers for identifying the rented seats (19C); on the 'women's pews' on the ground floor and on the 'men's pews' on the galleries.
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