#: locale=en-GB ## Tour ### Beschreibung tour.description = 54_Untersteinach_St-Oswald ### Titel tour.name = 54_Untersteinach_St-Oswald ## Skin ### Multiline Text HTMLText_4B644D86_5386_A129_41BD_5DB894DC1294.html =
The parish church of St. Oswald,
Untersteinach
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With donor’s inscription on the back, and dated 1774; above Christ Crucified is the Trinity: God the Father with an orb or rather globe, as ruler of the universe, the Son as Saviour with the cross and the Holy Spirit as a dove.
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Margrave Friedrich (ruled 1739-63) had his coat of arms portrayed on the north chancel arch around 1760.
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The memorial ensemble to the last feudal lord of Untersteinach, Georg Adam Varell (d 1765) is the most elaborate of the numerous memorials in the church, both inside and on the outside walls.
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On the underside of the upper gallery; the boards with older pictures (saints, floral decorations) were recut as floorboards.
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Angels populate the late Gothic quadrapartite rib vault, which was painted in the baroque period and again in 1955. They proclaim the glory of God, play their musical instruments and embody Heaven itself with flowers of paradise.
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On the galleries and gallery fronts by J. C. Schönig (1733-35); biblical scenes complete with headings and bible references, and donors’ names in places.
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Neo-Gothic, it replaced the baroque (pulpit-?altar) in 1862; in the centre: a picture of the Risen Christ, surrounded by an almond-shaped halo of rays of light, and two women with jars of ointment next to it.
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Newly erected in 1862 with figures which probably came from the former pulpit-altar: Christ the Saviour and the Evangelists made by the Brenck workshop (c 1650, from the earlier pulpit which was then incorporated in the altar); the Risen Christ on the pulpit roof, and angels’ heads and ornamentation by J.C. Fischer.
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With donor’s inscription and dated 1698 on a blue sphere at the foot of the cross; a rosette in the centre, and two flowers representing flowers of paradise on the sides; three angels’ heads on the ends of the arms and the top of the cross.
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Of ‘seat-owners’ who had rented their seats, on the beams or on little metal plates.
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